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Michael Keaton plays a man so busy that he has to clone himself to
find enough time to work, play, and parent. He's copied three
times, courtesy of your friendly neighborhood geneticist (Harris
Yulin). "Two" is his aggressive side and takes charge at the
office, while "Three" is more prissy and stays home with the kids.
("Four" is the flub; a fuzzy copy with the mind of a child.) Mr.
Keaton is very funny-- and distinctly different-- in each of these
roles. He gives a command performance that the movie doesn't know
what to do with. The best that four (cloned?) writers could come
up with are some recycled gags from MR. MOM, a few hundred or so
double takes, and one very funny sequence involving the rule over
who gets to sleep with the wife (Andie MacDowell, looking dazed and
confused even when she's not supposed to be). The latter is also
the closest that the movie comes to having a, uh, climax.
MULTIPLICITY attempts to end on a serious note and it doesn't work.
Twenty minutes are wasted there. Also curious is how absolutely
nothing is explained about the character of the scientist. We see
him in the cloning sequence and then he just disappears for the
rest of the movie. Perhaps he's working on opening a franchise...
(Rated "PG-13"/110 min.)
Grade: B-
Originally posted to triangle.movies in MOVIE HELL: July 14, 1996